It is a tower of two heights, made with masonry and attached to a house with the same name, located in the central area of ​​the garden of the Partida de la Condomina.

Is located at the foot of the castle and was built to commemorate the spot where the old hermitage of Saint George was set. It was devoted to Saint George, but today it no longer exists. It was the oldest hermitage in Banyeres, as it can be inferred by taking into account its location, so its construction may very well date back to between the 13th and the 15th centuries. There are only a few remains: one of its corners. According to photographic evidence it can be assured that by the end of the 19th century or in the early 20th it was still standing. This hermitage was also known as the one of El Conjurador because of the ability that the Saint had to conjure storms and evils before the pleas of the people gathered around his image. The current monument is located in a viewpoint overlooking the mountain and it allows the visitor to admire the natural environment that surrounds the town.

The Pobla Medieval d 'Ifac stands out for being currently a unique site in the Valencian Community, and is the only Pobla de Conquista that has not been investigated, excavated or transformed beforehand, which makes it a unique and exceptional site. It is an urban enclave of the late thirteenth century, driven by Admiral Roger de Llúria, one of the most important characters of this time. It is a huge walled enclosure, endowed with a complex access system, rooms, warehouses, houses and an imposing church dedicated to Our Lady of the Angels with a medieval necropolis at its feet. It will be a short-lived foundation, not exceeding 100 years of existence. The historical ups and downs forced the abandonment and transfer of the settlers of Ifach to the hill where the walls and the Casco Antiguo de Calp are currently located.

Located in the Tosal de La Cometa, it is a set of historical-religious interest, consisting of buildings of an old fortified farmhouse built at the end of the 17th century or the beginning of the 18th century. It is estimated that the hermitage, built under the dedication of St. John the Baptist, was the particular oratory of the fortifications of the rural area of ​​La Cometa. In front of the hermitage, there are two "riu-rau" and there are still three wells, one of them conserving its conical roof, a cistern and a system for rainwater collection. Here, the San Juan festivities are celebrated annually, on June 24.

The research project of the archaeological site Castellar de la Morera –also known as Castellar d'Elx– aims at documenting one of the most interesting sites within the Islamic archaeology scene in Alicante. This project has been promoted by the Archaeological Museum of Alicante (MARQ), with the participation of the University of Alicante and the support from the Archaeological and History Museum of Elche (MAHE). Cristóbal Sanz in 1621 and Pedro Ibarra –the historian from Elche– in the 1920s already mentioned it. This piece of research tries to highlight a place that has been forgotten by research and to redefine the problems of the early Islamic settlement in the region of Elche. It is a team-based piece of research, run by Pierre Guichard, Sonia Gutiérrez Lloret and José Luis Menéndez Fueyo. The project's main aim is to explain the settlement historically in the light of the eventful processes of an Islamic society's foundation between the 8th and 10th centuries.

The older people of Elche remember when it still served as a textile factory and even intermittently, as a prison. The dramatic process of renovation experienced by the Palace of Altamira, or Alcazar de la Señoría,makes it one of the best preserved strongholds in the province of Alicante, and at the same time an essential monumental point of reference of vital importance for the city. Residence of the noblemen of Elche between the XV and the XIX centuries, its Torre del Homenaje or Keep also housed the Kings Jaime II and Pedro IV and the Catholic Monarchs during their stays in the city and hosted the meetings of the General Council of the City up to the XV century. Factory and Prison In the construction process of the Palace of Altamira several important stages stand out. The first corresponds to the Islamic period between the XI and XIII centuries. In the present day some stretches of the City Wall from this time may be seen, along with remnants of dwellings and drainage channels, which are not visible, as well as a monumental entrance gate and the Keep, of which only the ground floor belongs to this period. The second phase, between the XV and XVI centuries, occurred after Gutierre de Cárdenas took possession of the lordship. This rebuilding work, defined by its decisive and extensive nature, shaped the general lines of the current form of the Palace. Subsequently, in the XVIII century, the Count of Altamira added a manor house of two floors to the original wall, which currently constitutes its south-facing facade. It is polygonal in shape, with angles defined by projecting circular hubs, except in the area occupied by the Keep, which has a square base and three floors. Its rooms and the outbuildings of the western wing intermittently housed a prison from the XVIII century until 1959. In 1915, the building was acquired by a local industrialist who built a textile factory in the Patio de Armas or parade ground, adjoined to the east wall, which was in operation until the end of the 1960s, at the same time as the prison. Nowadays this same parade ground is sometimes made use of as a perfect arena for social and cultural events. Restoration After being expropriated by the City Council in the 1970s in the last century, restoration of the building was carried out, including the outbuildings of the former factory, which, once refurbished, went on to house the Alejandro Ramos Folqués Municipal Archaeological Museum. In 2005, after further restoration, which brought to light remnants of the original stronghold, including an upper entrance gate from the banks of the river, whose existence was previously unknown, the palace came to form part of the new Archaeological and History Museum of Elche (MAHE). This centre was inaugurated in 2006 in conjunction with the return, for a period of six months only, of the Lady Elche, who was housed on the ground floor of the Torre del Homenaje or Keep, where an exact copy of the Iberian bust is currently displayed, ceded by the Provincial Archaeological Museum (MARQ).