How P. Guichard affirms the castle of Ambra is one of the many Islamic castles of the Valencian territory that served as places of habitat and / or refuge in charge of the rural communities, with a non-feudal character and that were object of transformation and destruction after of the conquest. Old historians dated the construction of the castle between the 9th and 11th centuries, but the latest research and archaeological excavations date back to the early 13th century. The rubble of the castle rises on a rocky ridge formed by the northern buttresses of the Sierra de Mediodía, delimiting the Pego valley to the south. It rises to a height of 264 m above sea level and its construction is perfectly adapted to the rugged and rocky orography of the Ambra mountain. The castle did not participate actively in the conquest, but it did have importance in the subsequent Mudejar revolts capitanejades for el-Azraq. The year 1268 the castle was consigned to Arnau de Romero, Jaume I ordered that in the castle there should remain an atzembla and ten men. A year later he passed to Bonanat de Guía, who had it for a short time, passing 1260 to Pere de Berbegal, arxiprest of Daroca, guarding him with four men, to whom the king paid 150 salaries annually. In 1264 he passed the castle to Ade de Paterna for the debt that the child in Pere contracted with him. Charged the debt, the king gave in credit the castle to P. de Capellades. The 1271 passed in the hands, in the same circumstances, to Pere de Marcén. Finally, after being in the Saracens' mansion for three years, from 1276 the castle began to lose its military importance. It finished to lose its importance completely the castle when from 1280 it was begun to create the new town of Pego. After the second letter of settlement (1286) granted with better conditions than the first (1279), settlers from Barcelona begin to arrive that they are going to establish in a new walled town that has to be built on the old Uxola alqueria. The castle of Ambra is a late Islamic construction, that according to Javier Martí, begins towards the beginning of the XIII century, product of the fear of the Muslims before the threat of feudal conquest. What most relies on this statement is the lack of durability that the castle had (1220-1280). But the truth is, that the last excavations have not brought to light any remains previous to the chronology pointed. Established the chronology and durability of the castle, another of the important aspects is to know if it was inhabited or not, that is, if it served only as a military refuge or if there were rooms inside it. Approximately twenty houses existed with a staggered arrangement and taking advantage of the natural structure of the rock. The houses were of reduced dimensions and the work of mortar lime and limestone stonework of irregular size. They also had to have wood, although it was probably used later for the houses of the new village, since in the excavations no remains of this material were found. The remains of the wall of the enclosure show us the value of defensive architecture; the walls made of rammed earth, the foundations of Freemasonry and four cubes (towers) of rectangular plan in ixent reinforcing the wall. To the Southeast of the same one is the door of access to the enclosure, between the avantmural and the wall of the castle. The access consists of two doors arranged longitudinally interspersed between them a guardhouse. This body of guard allowed to make the guaita between the two doors during the night, as well as the rest of the walkers in their access to the castle. In the same bank of guard we can observe what could be a curious medieval game composed of eight holes in which one would have to face stones of different tamanys. In the excavations of the project "Transformations of the structure of medieval settlement in the lands of Marina", we also found in the door 5 bronze money from the reign of Jaume I (1238-1276). Inside the enclosure, next to the second tower of the wall a cistern or cistern of rectangular plant (12 x 3 m) realized in tapial that served to collect the water of the rains is emplaced. An avantmural or barbican closes the wall mural enclosure, also made in tapial although lower than the interior wall. It is endowed with an income in replec and three false cubes that adapt to the layout of the towers and the wall. Although the castle is in relatively good condition, the intense task of abancalament and the erosive action of atmospheric agents have severely punished the constructions.

Between the 13th and 14th centuries, the rural community of Calpe was walled in order to protect it from Moorish attacks. Its coastal location meant that the community suffered from continuous pirate attacks, which is why Carlos V ordered that the walls be repaired in the 16th century. Those who lived nearby had to access the citadel through a single gate known as "El Portalet". The harshest attack took place in 1637. Berber pirates invaded the town without being seen. The guards were sleeping, so they climbed over the walls using ladders. During the attack, they took virtually every resident captive. Another of the most important attacks on the town, which is the origin of its patron saint festivities, occurred on October 22nd, 1744. After this pirate assault a project to fortify the town was started, and a second wall that surrounds the suburb and the old citadel was built. The "Torreó de la Peça" is named after a small fort destroyed in the 20th century that once contained an artillery piece.

The rustic Villa Marco Estate dates from the middle of the 19th. Century and was very important in the agricultural area known as the fertile region of Alicante. At the beginning of the 20th. Century, it acquired residential character and a modern style with interesting colonial French art influences which differentiate it from the other estates which remain in the region. Its beautiful Versailles inspired gardens were created at the beginning of the 20th. Century under the auspices of Renato Bardin, honorary consul of France and owner of the estate at that time. Conveniently looked after throughout their history, they have experienced some modifications which have, however, respected their original morphology. The gardened area surrounds the house with pathways cut out of it and which are flanked with classical style cups and jugs The garden can be divided into five areas: the "Arabic garden" (originally used as an orchard) the "historical garden" where the most significant examples can be found, the "access garden" which was the carriage entrance, a small "Mediterranean garden" (with autochthonous plants) and a large pine area which represents the "Mediterranean forest". The gardens house two sculptures by the renowned Alicante artist Vicente Bañuls: "La Noche" and "La Marsellesa".

Alicante sculptor work of Arcadi Blasco, built in 1990, and noted for its architectural uniqueness. It consists of two parts , one on the ground, symbolizing a boat, and the other offshore (currently on the sand of the beach), symbolizing a beacon (or mast). Tribute to the men of the sea, represents the union and dependence that our population and its people have historically with the sea , vital for life and economy of El Campello for decades

El Caserón Haygón is a late 19th century construction of the Sanvicentera garden occupying a plot of 3,000 square meters. The school-workshop launched in 2001 has allowed its rehabilitation and recovery for public use as a training center approved by the Generalitat Valenciana. El Caserón Haygón has a ground floor of 200 square meters with offices, meeting room, secretarial office, toilets and a classroom with capacity for twenty students, while in the upper floor has four other classrooms. It also has a space that serves as a workshop and warehouse for tools and materials.

This tower is one of the few testimonies that have survived from the medieval walls built around La Vila, or first enclosure of Medieval Alcoi. Its construction was carried out throughout the second half of the 13th century. The tower’s basement, its entrance door and its four corners, made of blocks of stone are worth mentioning. The tapial (mould of two parallel panels used to build walls) was used in its construction. The tower was restored in 2002. Its strategic location guarantees a superb overview of the river Riquer and the area of the Tints.

The windmills of “Les Planes” district have ruled this scenic viewpoint since the first Building in the 14th Century. Years later, it was followed by another ten towers, whose ruins, currently without blades or roof, can still be observed in this exceptional corner of the coast although in different conservation levels. The windmills had to withstand the impact of the intense “llebeig", the warm southwest wind which blows in a practically steady basis in the Trencall de la Plana area. Today no longer in use, the windmills have sturdy mechanisms made of Kermes Oak wood which served to move the heavy circular millstones.

The Granadella area is located in the westernmost zone of Xàbia and has its own private history with the construction of the Granadella Castle, a small fortification built in the 18th Century, with an exterior wall face lined with “tosca” sandstone which was occupied by a small garrison of three men and two bronze cannons.

This house, built in 1873, was commissioned by industrialist Rigoberto Albors Monllor, who donated to the town what today is the Square of Pintor Gisbert. The construction of this house coincides with the beginning of "El Petrolio", a famous uprising by workers aiming at an improvement of their wages and working conditions, which unfortunately ended up tragically. In Classicist and Eclectic style, this is a three-storey building with a basement and an attic. Of special interest are the big balcony, with a stone balustrade, and the prominent cornice, with a balustrade and a clock.